Komm, du süße Todesstunde : Kantate zum 16. Sonntag nach Trinitatis

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The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang [yearly cantata cycle], "Evangelisches Andachts-Opffer" [Evangelical Devotional Offering]...

SKU/Product number.: CV3116105
Stock status: pecial item, print on demand, upcoming, backorder – usually ships in 3–6 weeks (subject to availability)
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Stock status: pecial item, print on demand, upcoming, backorder – usually ships in 3–6 weeks (subject to availability)

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Unit Price for 20 € 5,98

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The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang [yearly cantata cycle], "Evangelisches Andachts-Opffer" [Evangelical Devotional Offering] by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain [Luke 7: 11-14], is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful.
Genres Choral
Format Score
NumberOfPages 4
Media Sheet Music
Publisher Carus Verlag
Contributors Sebastian Bach, Johann(Composer) Wolf, Uwe(Artist)
Language English, German
ISMN 9790007113070