The title of the work refers to the ornament-like musical motifs of the solo part. These open the piece and later, during the elaboration of the form, they provide for building blocks. The composition, lasting approximately 12 minutes, includes 13 small formal sections. The first three of them serve as an introduction: the presentation of the solo viola, accompanied by percussion istruments, is broken by the interjection of the winds and the piano. The strings appear in Section 4, the first pure Tutti for the first time: the solo instrument is silent here. This is followed by two longer joint sections of the solo and the ensemble: in these a classical, responding-contrapuntalrelationship comes to effect between soloist and ensemble players. Section 7 is the first cadenza of the viola, answered by the ensemble alone in Section 8.
| Arrangement | Chamber Group |
| NumberOfPages | 48 |
| Media | Book(softcover, stapled) |
| Series | EMB Contemporary Music |
| Publisher | Editio Musica Budapest |
| Contributors | Tihanyi, Lá szló (Composer) |
| ISMN | 9790080149980 |