24 popular works for tenor voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by James Gilchrist and Anna Tilbrook, and a digital version of the book to view on any device.
Antonín Dvorák: Jsem Jako Lípa Ko?atá (Like To A Linden Tree Am I)
Charles Wilfred Orr: Into My Heart An Air that Kills (from A Shropshire Lad)
Ernest Chausson: Sérénade Italienne (from Sept mélodies, Op. 2)
Felix Mendelssohn: Be Thou Faithful Unto Death (from Paulus, Op. 36)
Fernando Obradors: Con Amores, La Mi Madre
Franz Liszt: Du Bist Wie Eine Blume, S. 287
Franz Schubert: An Sylvia, D. 891, Op. 106, No. 4
Gabriel Fauré: Les Roses d?Isphahan (from Quatre mélodies, Op. 39)
George Frideric Handel: Where?er You Walk (from Semele, HWV 58)
Georges Bizet: Chanson D?Avril
Henry Purcell: Ah! How Sweet It Is To Love (from Tyrannic Love, or The Royal Martyr, Z. 613)
Ian Venables: Because I Liked You Better (from Songs of Eternity and Sorrow, Op.36a)
Johann Sebastian Bach: Mein Verlangen ist, den Heiland zu umfangen (from Komm, du süsse Todesstunde, BWV 161)
Joseph Haydn: Piercing Eyes, Hob. XXVIa:35
Lennox Berkeley: The Riverside Village (from Five Chinese Songs)
Madeleine Dring: It Was A Lover And His Lass
Michael Hurd: Prayer (from Carmina Amoris)
Nadia Boulanger: Soleils Couchants
Reynaldo Hahn: C?est ŕ Paris! (from La Dame aux Camélias)
Reynaldo Hahn: L?Heure exquise (from Sept chansons grises)
Richard Hageman: Do Not Go, My Love
Samuel Barber: Sure On This Shining Night (from Four Songs)
Thomas Arne: Where The Bee Sucks
Victor Hely-Hutchinson: Old Mother Hubbard
William Gilbert and Arthur Sullivan: Oh, Is There Not One Maiden Breast (from Pirates of Penzance)
Charles Wilfred Orr: Into My Heart An Air that Kills (from A Shropshire Lad)
Ernest Chausson: Sérénade Italienne (from Sept mélodies, Op. 2)
Felix Mendelssohn: Be Thou Faithful Unto Death (from Paulus, Op. 36)
Fernando Obradors: Con Amores, La Mi Madre
Franz Liszt: Du Bist Wie Eine Blume, S. 287
Franz Schubert: An Sylvia, D. 891, Op. 106, No. 4
Gabriel Fauré: Les Roses d?Isphahan (from Quatre mélodies, Op. 39)
George Frideric Handel: Where?er You Walk (from Semele, HWV 58)
Georges Bizet: Chanson D?Avril
Henry Purcell: Ah! How Sweet It Is To Love (from Tyrannic Love, or The Royal Martyr, Z. 613)
Ian Venables: Because I Liked You Better (from Songs of Eternity and Sorrow, Op.36a)
Johann Sebastian Bach: Mein Verlangen ist, den Heiland zu umfangen (from Komm, du süsse Todesstunde, BWV 161)
Joseph Haydn: Piercing Eyes, Hob. XXVIa:35
Lennox Berkeley: The Riverside Village (from Five Chinese Songs)
Madeleine Dring: It Was A Lover And His Lass
Michael Hurd: Prayer (from Carmina Amoris)
Nadia Boulanger: Soleils Couchants
Reynaldo Hahn: C?est ŕ Paris! (from La Dame aux Camélias)
Reynaldo Hahn: L?Heure exquise (from Sept chansons grises)
Richard Hageman: Do Not Go, My Love
Samuel Barber: Sure On This Shining Night (from Four Songs)
Thomas Arne: Where The Bee Sucks
Victor Hely-Hutchinson: Old Mother Hubbard
William Gilbert and Arthur Sullivan: Oh, Is There Not One Maiden Breast (from Pirates of Penzance)
| Arrangement | Piano Accompaniment, Tenor |
| Genres | Baroque, Classical, Post-1900, Romantic |
| Format | Vocal Album |
| Level | 4 |
| NumberOfPages | 96 |
| Media | Sheet Music |
| Series | Chester Vocal Anthology |
| Publisher | Chester Music |
| Contributors | Gilchrist, James (Artist) Tilbrook, Anna (Artist) |
| ISBN | 9781787600058 |