During the year of 1966 Duke Ellington was touring Europe, giving concerts in many of the major cities of Europe, and touring England for a couple of weeks in February, with concerts, among others, in London, Liverpool, Manchester - and Coventry. Duke Ellington’s sacred concerts had many incarnations, more than the three on the commercial records: The First (1965), The Second (1968) and The Third (1973). At concerts Ellington often made changes in the proceedings – let out some numbers, and played others, and altered the succession of numbers played. The soloists could be different too. Likewise at Coventry Cathedral on a winter’s Monday, February 21st 1966. The Coventry concert had its centerpiece in “In The Beginning God”, but apart from that it was no ordinary sacred concert: Two numbers, Come Sunday and Tell Me It’s The Truth would have a vocal on the issued record and in other performances of A Concert of Sacred Music the previous year, but were purely instrumental here – and the two numbers following In The Beginning God had no connection to a religious theme. With him on the day in Coventry Cathedral were some highly professional British vocalists, The Cliff Adams Singers and the baritone singer George Webb, giving the performance a special quality, which the band acknowledged by playing on the top of their game.
Come Easter
Come Sunday
In The Beginning God
La Plus Belle Africaine
Light (Montage)
New World A-comin
Tell Me It's The Truth
West Indian Pancake
Come Sunday
In The Beginning God
La Plus Belle Africaine
Light (Montage)
New World A-comin
Tell Me It's The Truth
West Indian Pancake
| Genres | Jazz |
| Format | Recorded Performance |
| Media | CD |
| Publisher | Storyville Records |
| Contributors | Ellington, Duke (Artist) |
| UPC | 717101844821 |